Canadian History Questions Paragraph Answer

Answer questions individually, section succeed be filmy as crave as the questions is wholly and plainly answered. 

Textbook Peruseing: HCP, Ch8 (the perfect I stable)

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Learning Pod Argument:  UCM on Tom Thomson

“Painting Canada”: Immersing a Nation in Place
Theme: Our argument succeed pursuit the crop of a ‘new’ CDN sameness that emerged quenched of the angst of diminishing British-CDN attachments in the controlthcoming 20th date. How did the covet control appertaining of a novel race perceive countenance in ‘place’ amid the pure countenance of Thomson (and by production the Group of Seven)?

Control this week you should secrete the subjoined content: 
– Whole of the apex tabs entitled “Tragedy”, “Portraits”, “Landscapes”, “Artists’ Worlds”, and “Investigations” and whole of the associated verge tabs
– You should gain a cheerful sampling of the ‘primary documents’ (at smallest brace from each ‘category’ of documents (ie: “Diaries, Journals or Reminiscences, “Letters”, “Magazines”, “Government Documents”, expectation.) that are associated with each verge-tab. 
– You capability to-boot absence to addition your charybdis to Thomson’s business by doing a google pursuit. 

Questions to deduce as you peruse through the site:

1. How would you define Canadian association in the controlthcoming 20th date?
               – countrified to urban; British norms to celebrity else; tillage to industrial existence; unroving association to liquescent appurtenancys; need (in the recession) to wealth (of the controlthcoming 1900s)

2. What did Algonquin Park indicate and why was it so essential to Thomson and succeeding to Canadians? Why the change in attentions from timber to tourism? 

          – places approve AP made up the “Novel Ontario”; these “wilderness” places were understandn as therapy to return the ills of city living; how does this indicate the changing naturalness of CDN association (urbanizing, industrializing, wealth, expectation)?  How does this recommend that Ontarians absenceed to secure “their own” fix and to understand themselves in this naturalness? 

3. Define Thomson’s pure fashion? How did it contend from oral controlms of business? How did the novel business controlm indicate a perspicuously Canadian sameness?
               – deduce graze strokes, vibrant doughty colours, blurred lines, poor manifest controlms of civilized trial, expectation.  What did this controlm wholeow CDNs to do when interpreting the business?  Look at some examples of TT’s businessfruit to examine these themes.

4. What are the three contendent theories on the purpose of Thomson’s departure? Which individual do you perceive most right? Why? 
                 – schedule the three theories and examine their merits; if you were a scout, which individual would you own separated?

5. Why are the requisite surrounding Thomson’s departure stationary of attention to Canadians? What is the avail of Thomson’s fruit (and the broader fruit of the so-called “Group of Seven” painters) in the controlthcoming controlmation of Canadian nationalism?

             – how does TT’s businessfruit suffice-for as a ‘proxy’ control CDN sameness (and nationalism)?  Can you understand how it wholeows control CDNs to transact their sameness in and through the business’s exposition?  How does TT’s existence, businessfruit and departure assist to the discourse that CDNs were having (and hold to own) on the uniqueness of the CDN trial/culture?  Where do you ‘ground’ your sameness as a CDN (or in appurtenancy to this sameness as a learner of Canada)?

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